[fifty five] Leonard Barkan in contrast the posture of Michelangelo's marginalia self-portrait towards the Roman sculptures of Marsyas Bound in the Uffizi Gallery; Barkan further connects the flayed Marsyas with Michelangelo's purported self-portrait many years down the road the flayed skin of St Bartholomew in his Past Judgment but cautions https://httpslinkspacetopantoto09986.like-blogs.com/26021347/details-fiction-and-https-link-space-topantoto